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A 5B market cap would imply a P/E ratio of 1.3 and a P/FCF ratio of 0.8, which essentially would be saying “this business is only worth approximately what it made last year”. The corresponding multiples for other auto makers are typically in the high single digits. Even if you believed Tesla’s whole business would collapse tomorrow (i.e. revenue goes to zero) book value is ~83B and net cash is ~29B.

Yes, I think that sounds about right.

> YouTube is an absolute clown show. It's so bad that I'm certain Google devs are actively making it terrible on purpose.

Exactly, which is why I thought this was a terrible and meaningless benchmark. It completely obfuscates the actual video playback performance of these machines. It is more a measure of how awful and inefficient YouTube is. I am surprised that the author did not remark on or seem to be aware of this at all.


The latest version of Crafty has a significantly higher rating on CCRL than Fritz 10, the version that defeated Kramnik in 2006. He was the World Champion and was rated 2750 at the time. I do not know what source you used for Crafty’s rating but ratings from different lists are not comparable. It is highly probable that Crafty running on a Ryzen could defeat any human.

I am also of the opinion that with an optimised program the CRAY-1 would have been on par with Karpov and Fischer. I also think that Stockfish or some other strong program running on an original Pentium could be on par with Carlsen. I am not sure if Crafty’s licence would count as FOSS.


Why does the current design paradigm in image coding formats emphasise supporting as many features as possible in order to have “one image format to rule them all”? You do not see this in audio and does anybody think that Opus and FLAC should be combined into one format? Does the fact that Opus does not support lossless encoding make it worse?


From a user perspective it is nice to know that the person decoding will likely support a given format, both now and in the future.

More use cases for a single popular format makes this more likely.


> You can pretty much draw a parallel line with hardware advancement and the bloating of software.

I do not think it is surprising that there is a Jevons paradox-like phenomena with computer memory and like other instances of it, it does not necessarily follow that this must be a result of a corresponding decline in resource usage efficiency.


> Over-focus on the highest possible quality

This is not an issue in my view. I like the fact that I can download 100 MiB ultra-high resolution TIFF files of scans of photographs from the original negative from the Library of Congress and 24-bit/96kHz FLAC files of captures of 78 RPM records from the Internet Archive. In addition to maintaining completeness and quality of information, one of the main goals of preservation is to guard against further degradation and information loss. You should try to preserve the highest quality copies available (because they contain more information) and re-encoding (deliberate degradation) should only be used to create convenient access copies.

Inferior copies, in addition to being less informative, have the potential to misinform. Only the archivist will enjoy space savings. All the readers who might consult your library in the infinite future will bear the cost.

> ...(e.g. lossless FLAC). This inflates the file size...

This is entirely the wrong view. The file size of a raw capture compressed to FLAC should be thought of as the “true” or “correct” size. It is roughly the most efficient (balancing various trade-offs) representation of sampled audio data that we can presently achieve. In preservation we seek to preserve the item or signal itself and not simply what we might perceive thereof. This human-centric perception view is just wrong. There is data in film photographs which cannot be perceived visually yet can be of interest to researchers and be revealed with digital image analysis tools.

As an example of how much information celluloid can contain see: https://vimeo.com/89784677 (context: he is comparing a Blu-ray and a scan of a 35mm print)


> Over the weekend, Rodrigo Arias Mallo, creator of the Dillo browser project...

This is wrong, that is the current maintainer. Jorge Arellano Cid is the creator of Dillo.


YouTube has gotten so bad that even normal people are complaining about it now. A middle-aged woman who volunteers with me was saying how she did not feel comfortable using YouTube due to the number of inappropriate ads. I ended up giving her links to a few Invidious instances and she loves them even if they are slower and not entirely reliable. She also understood the concept of a front-end without much explaining on my part.


Easy solution: use YT in a web browser with an ad blocker (like uBlock Origin or AdGuard on iOS).


Finance is increasingly reliant on it too, my bank moved their entire system to AWS. The amount of power being handed over to these cloud companies in exchange for “convenience” is astonishing.


> Make vi(1) 'p' command paste in the correct place.

I am really surprised to see something seemingly so simple in the changelog at this stage of development.


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